Nine short films blend contemporary dance with architecture across five countries: Lithuania, Latvia, Estonia, France, and Ukraine. Each film offers a unique exploration of how the physical structures around us—often overlooked in our daily lives—interact with the fluidity of the human body, inviting viewers to rediscover the architecture of different eras and regions.

Choreographers: Kaisa Kattai, Artūrs Nīgalis, Loreta Juodkaitė, Dovydas Strimaitis, Raido Mägi, Mariia Yakobchuk, Darius Algis Stankevičius, Ruta Ronja Pakalne, Anastasia Kharchenko, Yaroslav Kaynar.

EPISODE x DURATION:

EP1 3’39’’ Circus of Love and Lament

EP2 3’29’’ YES!

EP3 3’33’’ Drama King

EP4 3’08’’ In Between

EP5 3’28’’ H61

EP6 3’53’’ SOLO

EP7 3’33’’ Sea Fragment

EP8 3’33’’ Gravitas

EP9 3’39’’ We Will Be After Us

In the heavenly archipelago of Vanuatu, the South African dancer-choreographer Robyn Orlin captures the Gaua women's unique art of making water sing and let them perform a fascinating hymn to nature, making us aware of the climate change endangering the existence of the archipelago. A singular film-ballet, in which the landscapes, accessories and characters compose a colorful choreographed film.

This programme is presented by Greg Germain in theMultiscénik show.

Meaning “tango” in Latin, Tactum mixes contemporary dance, tango and classical ballet. Highlighting the “sensation of a body”, the idea of touch is exploited through the perspectives of masculinity and femininity in a celebration of the four elements: earth, water, air and fire. The Polish choreographers, Ester Duarte, Chiche Nunez and Witold Jurewicz open new doors to dance programming.

This hybrid dance film with acting and contemporary dance let us revive the mother's death of a woman. After a first act recalling the intensive relationship between the mother and the daughter, the second act sees the death arriving, while they both have to face the mother's death in the last act. The daughter's monologues on her questioning towards death, vibrantly quoting Simone de Beauvoir, let us experience this film as a true fiction.